Coordinating Drone Assessments

Deciding what gets flown during an emergency, and avoiding overlap.


Why coordination matters

In past responses, several organizations have flown the same area independently, without knowing about each other. That wastes scarce drone capacity, confuses the authorities who issue flight permissions, and leaves other priority areas unmapped.

Coordination does not need to be complex. At a minimum, everyone needs to know who is flying, where, when, and why.

Much of this page describes a large emergency response, with a dedicated coordinator and an assessment working group. Smaller projects, and community mapping outside an emergency, often have neither. In that case, the same idea still applies: tell the local authorities and any other organizations flying nearby what you plan to do, and ask whether someone already holds imagery of the area.

The basics

The key points:

  1. Register before you fly. Tell the in-country aerial assessment coordinator (or the assessment working group, if there is no dedicated coordinator) what you plan to do, before you do it. Share your flight plans in advance where you can.
  2. Requests go through the coordinator. If you need imagery of a site, raise the request with the coordinator rather than commissioning a drone operator directly. This keeps a clear picture of what is being flown, and stops two teams being sent to the same place.
  3. Use local capacity first. If a trained national or regional drone team is available, engage them before bringing in an international one.

Making a request

A good request answers four questions:

Prioritizing requests

When there are more requests than teams can cover, the coordinator needs to weigh up:

Overall priorities are set by the people leading the humanitarian response (for example an UNDAC team, or the national disaster management authority). The aerial assessment coordinator turns those priorities into a flight schedule, and divides tasks as quickly as possible.

Who does what

Role Responsibilities
Aerial assessment coordinator Collects and prioritizes requests. Knows which drone teams are available and what they can do. Runs coordination meetings. Reviews products before they go out, and makes sure they reach the people who need them.
Response leadership Sets the overall priorities for the response, and decides how aerial assessments fit into them.
Drone pilot / operator Prepares and flies the mission, obtains flight permissions, keeps the flight safe, and checks the imagery on site.
Mapping / analysis focal point Processes the imagery, combines it with field data, produces standard maps, and checks quality.

Where there are trained local drone teams, they should fill as many of these roles as they can, including coordination.

Including a representative of the national authorities in the coordination group is valuable. They can resolve permission and administrative issues that outside organizations cannot.

Remote vs in-country coordination

A remote network of partners can help establish coordination early: connecting organizations that have drone capacity, sharing standards, and giving advice in the first days.

But aerial assessments are very hard to coordinate from a distance. Knowing which local operators have which equipment, getting flight authorizations, and agreeing priorities all need someone on the ground. Ideally, every response has a named coordinator in country, working as part of the existing assessment coordination structure rather than alongside it.

Tasking tools such as the Drone Tasking Manager can help split an area into tasks and track who has flown what. They support coordination, but don't replace it.

How a response unfolds

These phases describe a large emergency response. Adapt them to the size and needs of your project.

Before a disaster (preparedness)

Preparation at this stage has the greatest impact. Where possible:

First days: initial assessment

By this stage, everyone should know who coordinates flights and how to share the data.

Detailed assessment

Monitoring and handover

International teams often leave before this stage. Working closely with local actors from the start, and keeping records others can pick up, makes the handover far easier.